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Hand poured · one of one

Pieces that hold the light.

Trays, dice, clocks and keepsakes cast by hand with real stone, pressed flowers and a little moonlight. Nothing here is repeated — if a piece calls to you, it is the only one there will ever be.

See the collectionAsk for something made

Poured, sanded and polished in small batches. Most pieces need a few weeks between the first pour and the post.

Her best piece, held up to the window so the light comes through it

one of one

Four kinds of making

What comes out of the workshop

Everything below is cast, finished and photographed by one pair of hands. Pick the kind of thing you are after.

A tray of dried flowers and gold flake, on a linen cloth, daylight from the side

Table & home

Trays, coasters and trinket dishes — the pieces that catch the morning light on a windowsill.

See what is finished
A dice set in a tin, one die mid-roll, close enough to read the inclusions

Dice & games

Dice sets, chess boards and domino sets, cast heavy enough to feel like something in the hand.

See what is finished
A dog tag with a stone set in it, held between two fingers

Keepsakes

Dog tags, clocks and jewellery trays — small things made to be kept, not packed away.

See what is finished
A clear piece with a full pressed flower inside, backlit so the petals glow

Preserved flowers

Real and pressed flowers held mid-bloom in clear resin, so they never get to fade.

See what is finished

Why nothing repeats

One of one is not a slogan. It is how resin behaves.

  • The stone decides. No two pieces of rough have the same pattern, so no two pours can land the same way.
  • Flowers are pressed once. A bloom goes into one piece and it is gone — that is the whole idea.
  • Small batches only. Moulds are filled a few at a time, finished by hand, checked against the light.

The stones

Chosen for what they hold

Every piece carries a stone, and the stone is the reason most people pick one piece over another. If you have a stone of your own — one that was given to you, or one from a place — send it, and it can go into the piece.

Emily

For tides and new starts — a white sheen that moves when you turn it.

Amethyst

For quiet heads. Violet through clear resin, deepest where the light stops.

Rose quartz

For softness. Pale pink, never quite the same twice, best in small pieces.

Clear quartz

The one that takes the light anywhere. Reads as water when it is polished.

From mould to post

How a piece is actually made

Four stages, no shortcuts. This is why a piece takes weeks rather than days, and why the edges look the way they do.

  1. 01

    Choose

    A shape, a stone, a colour that means something to you.

  2. 02

    Pour

    Two parts mixed by hand, the stone set where it will be seen, bubbles worked out.

  3. 03

    Cure

    Days under cover, untouched. Nothing can be hurried here without ruining it.

  4. 04

    Finish

    Flattened, sanded through the grits, polished until the edges go glassy.

Found something that feels like yours?

Every finished piece is claimed in a message, not a basket — one of one means two people can want it at once. Tell me which piece you are looking at and I will hold it for you.

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Tell me which piece, and I will set it aside and send you the shipping cost.